{"title":"Home Goods","description":"","products":[{"product_id":"futagami-sun-trivet","title":"Futagami Sun Trivet","description":"\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eAVAILABLE FOR PRE-ORDER\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 data-start=\"163\" data-end=\"181\"\u003e\u003cstrong data-start=\"167\" data-end=\"179\"\u003eThe Item\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"182\" data-end=\"373\"\u003eCast in solid brass, this Futagami brass trivet, designed by Masanori Oji, embodies both utility and ritual — a quiet companion to the rhythm of daily life. Its form, simple yet significant, evokes the radiance of the sun and locates beauty in precision and patience.\u003c\/p\u003e\n\u003ch3 data-start=\"375\" data-end=\"398\"\u003e\u003cstrong data-start=\"379\" data-end=\"396\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"399\" data-end=\"794\"\u003eFor over 400 years, artisans in Takaoka, Toyama Prefecture, have refined the art of casting copper and brass into objects that balance strength and grace.\u003cbr data-start=\"553\" data-end=\"556\"\u003eBrass, prized for its soft texture and warm, elegant luster, has long been used across Japan (from temples and ships to homes and tea rooms) and holds a special place in Buddhist altar fittings, where it represents purity and endurance.\u003c\/p\u003e\n\u003ch3 data-start=\"796\" data-end=\"817\"\u003e\u003cstrong data-start=\"800\" data-end=\"815\"\u003eThe Culture\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"818\" data-end=\"1195\"\u003eWith each use, brass changes: deepening in color, growing richer in tone, and revealing the trace of touch over time.\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"1195\"\u003eIn Japan, this slow transformation is revered as an expression of \u003cem data-start=\"1005\" data-end=\"1016\"\u003ewabi-sabi\u003c\/em\u003e: the quiet beauty found in impermanence, wear, and the passage of time.\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"1195\"\u003eEach Futagami piece becomes a living record of use, a mirror of its owner’s habits, gestures, life, and care.\u003c\/p\u003e\n\u003ch3 data-start=\"1197\" data-end=\"1216\"\u003e\u003cstrong data-start=\"1201\" data-end=\"1214\"\u003eThe Brand\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1217\" data-end=\"1534\"\u003eFounded in 1897 and reborn in 2009 through a collaboration with designer Masanori Oji, Futagami bridges centuries of metalworking tradition with contemporary life.\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eEvery object is sand-cast in a century-old foundry, its matte surface gradually maturing into a soft patina that reflects the intimacy of everyday use.\u003c\/p\u003e\n\u003ch3 data-start=\"1536\" data-end=\"1558\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1556\"\u003eThe Designer\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1559\" data-end=\"1914\"\u003eMasanori Oji works at the intersection of contemporary design and heritage craft. Collaborating with ateliers such as Futagami, Jicon, and Takahashi Kougei, he reinterprets timeless forms for modern life.\u003c\/p\u003e\n\u003cp data-start=\"1559\" data-end=\"1914\"\u003eWith a background in architecture, product, and graphic design, Oji approaches each object as a living companion, made to be used, aged, and loved.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Default Title","offer_id":47677410705659,"sku":null,"price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/Futagami-Sun.webp?v=1762362226"},{"product_id":"futagami-moon-trivet","title":"Futagami Moon Trivet","description":"\u003ch3 data-end=\"294\" data-start=\"278\"\u003e\u003cstrong data-end=\"294\" data-start=\"282\"\u003eAVAILABLE FOR PRE-ORDER\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 data-start=\"163\" data-end=\"181\"\u003e\u003cstrong data-start=\"167\" data-end=\"179\"\u003eThe Item\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"182\" data-end=\"373\"\u003eCast in solid brass, this Futagami brass trivet, designed by Masanori Oji, embodies both utility and ritual — a quiet companion to the rhythm of daily life. Its form, simple yet significant, evokes the waning moon and locates beauty in precision and patience.\u003c\/p\u003e\n\u003ch3 data-start=\"375\" data-end=\"398\"\u003e\u003cstrong data-start=\"379\" data-end=\"396\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"399\" data-end=\"794\"\u003eFor over 400 years, artisans in Takaoka, Toyama Prefecture, have refined the art of casting copper and brass into objects that balance strength and grace.\u003cbr data-start=\"553\" data-end=\"556\"\u003eBrass, prized for its soft texture and warm, elegant luster, has long been used across Japan — from temples and ships to homes and tea rooms — and holds a special place in Buddhist altar fittings, where it represents purity and endurance.\u003c\/p\u003e\n\u003ch3 data-start=\"796\" data-end=\"817\"\u003e\u003cstrong data-start=\"800\" data-end=\"815\"\u003eThe Culture\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"818\" data-end=\"1195\"\u003eWith each use, brass changes: deepening in color, growing richer in tone, and revealing the trace of touch over time.\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"1195\"\u003eIn Japan, this slow transformation is revered as an expression of \u003cem data-start=\"1005\" data-end=\"1016\"\u003ewabi-sabi\u003c\/em\u003e: the quiet beauty found in impermanence, wear, and the passage of time.\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"1195\"\u003eEach Futagami piece becomes a living record of use, a mirror of its owner’s habits, gestures, life, and care.\u003c\/p\u003e\n\u003ch3 data-start=\"1197\" data-end=\"1216\"\u003e\u003cstrong data-start=\"1201\" data-end=\"1214\"\u003eThe Brand\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1217\" data-end=\"1534\"\u003eFounded in 1897 and reborn in 2009 through a collaboration with designer Masanori Oji, Futagami bridges centuries of metalworking tradition with contemporary life.\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eEvery object is sand-cast in a century-old foundry, its matte surface gradually maturing into a soft patina that reflects the intimacy of everyday use.\u003c\/p\u003e\n\u003ch3 data-start=\"1536\" data-end=\"1558\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1556\"\u003eThe Designer\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1559\" data-end=\"1914\"\u003eMasanori Oji works at the intersection of contemporary design and heritage craft. Collaborating with ateliers such as Futagami, Jicon, and Takahashi Kougei, he reinterprets timeless forms for modern life.\u003c\/p\u003e\n\u003cp data-start=\"1559\" data-end=\"1914\"\u003eWith a background in architecture, product, and graphic design, Oji approaches each object as a living companion, made to be used, aged, and loved.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Default Title","offer_id":47677410902267,"sku":null,"price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/Futagami-Moon.webp?v=1762363627"},{"product_id":"kotodo-tea-tin","title":"Kotodo Washi-Wrapped Tea Tin (Kikkō-Hana)","description":"\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eAVAILABLE FOR PRE-ORDER (NOTE: THESE ARE SAMPLES.)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"648\" data-start=\"303\"\u003e\u003cstrong\u003eThe Item\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"648\" data-start=\"303\"\u003eHandcrafted from aluminum tinplate and wrapped in Japanese \u003cem data-end=\"384\" data-start=\"377\"\u003ewashi\u003c\/em\u003e paper, each Kotodo canister is an object of both beauty and precision. Its airtight, double-lid design preserves the freshness and aroma of tea, while the seamless wrapping and perfectly aligned patterns reveal the quiet perfectionism of Japanese craftsmanship.\u003c\/p\u003e\n\u003cp data-end=\"913\" data-start=\"650\"\u003eWe’ve selected four of our favorite patterns in the traditional gold-on-black palette—long favored in \u003cem data-end=\"759\" data-start=\"752\"\u003ewashi\u003c\/em\u003e-wrapped objects like tea canisters for its elegance and auspiciousness. This color pairing has historically signified understated luxury and longevity.\u003c\/p\u003e\n\u003cp data-end=\"1045\" data-start=\"915\"\u003e\u003cstrong\u003eAvailable \u003cem\u003eWashi\u003c\/em\u003e Patterns\u003c\/strong\u003e: \u003cem data-end=\"962\" data-start=\"950\"\u003eKikkō-hana (Chrysanthemum\u003c\/em\u003e), \u003cem data-end=\"985\" data-start=\"976\"\u003eAsanoha (\u003cmeta charset=\"utf-8\"\u003eHemp Leaf)\u003c\/em\u003e, \u003cem data-end=\"999\" data-start=\"988\"\u003eKikkō-mon\u003c\/em\u003e (Tortoiseshell), and \u003cem data-end=\"1031\" data-start=\"1021\"\u003eKirikane\u003c\/em\u003e (\"Cut Gold\").\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"507\"\u003e\u003cstrong data-end=\"520\" data-start=\"507\"\u003eThe Brand\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"507\"\u003eFounded in 1910, Kotodo (江東堂) has been producing handmade tea canisters for over a century. Compared to machine-made versions, their \u003cem data-end=\"663\" data-start=\"656\"\u003ewashi\u003c\/em\u003e wrapping is completely seamless—no ridges, no interruptions where the lid meets the body—resulting in an exceptionally clean silhouette. Each lid is designed to rotate counter-clockwise until it clicks, ensuring the pattern aligns flawlessly, a small but satisfying ritual that embodies the Japanese pursuit of harmony and precision.\u003c\/p\u003e\n\u003cp data-end=\"1449\" data-start=\"1006\"\u003e\u003cstrong data-end=\"1023\" data-start=\"1006\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1449\" data-start=\"1006\"\u003eTea canisters, or \u003cem data-end=\"1054\" data-start=\"1044\"\u003echazutsu\u003c\/em\u003e, have long been a part of Japan’s tea culture, prized not only for their utility but for their ability to elevate everyday life. Historically, \u003cem data-end=\"1208\" data-start=\"1198\"\u003echazutsu\u003c\/em\u003e were handcrafted by metalworkers and paper artisans, combining airtight construction with decorative beauty. The use of \u003cem data-end=\"1336\" data-start=\"1329\"\u003ewashi\u003c\/em\u003e—a paper made from mulberry fibers—adds a tactile warmth and subtle variation that only grows richer with time.\u003c\/p\u003e\n\u003cp data-end=\"1849\" data-start=\"1456\"\u003e\u003cstrong data-end=\"1471\" data-start=\"1456\"\u003eThe Culture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1849\" data-start=\"1456\"\u003eIn Japan, the preservation of tea is both a practical concern and a cultural expression of respect: for nature, for the material, and for the act of drinking tea itself. The Kotodo canister reflects this philosophy, suggesting even the smallest gesture can embody elegance and care. To open one is to participate in a century-old dialogue between hand, material, and ritual.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Default Title","offer_id":47680415105275,"sku":null,"price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/Crystanthemum-Kotodo-Tin.jpg?v=1762459804"},{"product_id":"kotodo-washi-wrapped-tea-tin-kirikane","title":"Kotodo Washi-Wrapped Tea Tin (Kirikane)","description":"\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eAVAILABLE FOR PRE-ORDER (NOTE: THESE ARE SAMPLES.)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"648\" data-start=\"303\"\u003e\u003cstrong\u003eThe Item\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"648\" data-start=\"303\"\u003eHandcrafted from aluminum tinplate and wrapped in Japanese \u003cem data-end=\"384\" data-start=\"377\"\u003ewashi\u003c\/em\u003e paper, each Kotodo canister is an object of both beauty and precision. Its airtight, double-lid design preserves the freshness and aroma of tea, while the seamless wrapping and perfectly aligned patterns reveal the quiet perfectionism of Japanese craftsmanship.\u003c\/p\u003e\n\u003cp data-end=\"913\" data-start=\"650\"\u003eWe’ve selected four of our favorite patterns in the traditional gold-on-black palette—long favored in \u003cem data-end=\"759\" data-start=\"752\"\u003ewashi\u003c\/em\u003e-wrapped objects like tea canisters for its elegance and auspiciousness. This color pairing has historically signified understated luxury and longevity.\u003c\/p\u003e\n\u003cp data-end=\"1045\" data-start=\"915\"\u003e\u003cstrong\u003eAvailable \u003cem\u003eWashi\u003c\/em\u003e Patterns\u003c\/strong\u003e: \u003cem data-end=\"962\" data-start=\"950\"\u003eKikkō-hana (Chrysanthemum\u003c\/em\u003e), \u003cem data-end=\"985\" data-start=\"976\"\u003eAsanoha (\u003cmeta charset=\"utf-8\"\u003eHemp Leaf)\u003c\/em\u003e, \u003cem data-end=\"999\" data-start=\"988\"\u003eKikkō-mon\u003c\/em\u003e (Tortoiseshell), and \u003cem data-end=\"1031\" data-start=\"1021\"\u003eKirikane\u003c\/em\u003e (\"Cut Gold\").\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"507\"\u003e\u003cstrong data-end=\"520\" data-start=\"507\"\u003eThe Brand\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"507\"\u003eFounded in 1910, Kotodo (江東堂) has been producing handmade tea canisters for over a century. Compared to machine-made versions, their \u003cem data-end=\"663\" data-start=\"656\"\u003ewashi\u003c\/em\u003e wrapping is completely seamless—no ridges, no interruptions where the lid meets the body—resulting in an exceptionally clean silhouette. Each lid is designed to rotate counter-clockwise until it clicks, ensuring the pattern aligns flawlessly, a small but satisfying ritual that embodies the Japanese pursuit of harmony and precision.\u003c\/p\u003e\n\u003cp data-end=\"1449\" data-start=\"1006\"\u003e\u003cstrong data-end=\"1023\" data-start=\"1006\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1449\" data-start=\"1006\"\u003eTea canisters, or \u003cem data-end=\"1054\" data-start=\"1044\"\u003echazutsu\u003c\/em\u003e, have long been a part of Japan’s tea culture, prized not only for their utility but for their ability to elevate everyday life. Historically, \u003cem data-end=\"1208\" data-start=\"1198\"\u003echazutsu\u003c\/em\u003e were handcrafted by metalworkers and paper artisans, combining airtight construction with decorative beauty. The use of \u003cem data-end=\"1336\" data-start=\"1329\"\u003ewashi\u003c\/em\u003e—a paper made from mulberry fibers—adds a tactile warmth and subtle variation that only grows richer with time.\u003c\/p\u003e\n\u003cp data-end=\"1849\" data-start=\"1456\"\u003e\u003cstrong data-end=\"1471\" data-start=\"1456\"\u003eThe Culture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1849\" data-start=\"1456\"\u003eIn Japan, the preservation of tea is both a practical concern and a cultural expression of respect: for nature, for the material, and for the act of drinking tea itself. The Kotodo canister reflects this philosophy, suggesting even the smallest gesture can embody elegance and care. To open one is to participate in a century-old dialogue between hand, material, and ritual.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Default Title","offer_id":47680470057211,"sku":null,"price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/Japanese-Tin.jpg?v=1762460783"},{"product_id":"kotodo-washi-wrapped-tea-tin-asanoha","title":"Kotodo Washi-Wrapped Tea Tin (Asanoha)","description":"\u003ch3 data-end=\"294\" data-start=\"278\"\u003e\u003cstrong data-end=\"294\" data-start=\"282\"\u003eAVAILABLE FOR PRE-ORDER (NOTE: THESE ARE SAMPLES.)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"303\" data-end=\"648\"\u003e\u003cstrong\u003eThe Item\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"303\" data-end=\"648\"\u003eHandcrafted from aluminum tinplate and wrapped in Japanese \u003cem data-start=\"377\" data-end=\"384\"\u003ewashi\u003c\/em\u003e paper, each Kotodo canister is an object of both beauty and precision. Its airtight, double-lid design preserves the freshness and aroma of tea, while the seamless wrapping and perfectly aligned patterns reveal the quiet perfectionism of Japanese craftsmanship.\u003c\/p\u003e\n\u003cp data-start=\"650\" data-end=\"913\"\u003eWe’ve selected four of our favorite patterns in the traditional gold-on-black palette—long favored in \u003cem data-start=\"752\" data-end=\"759\"\u003ewashi\u003c\/em\u003e-wrapped objects like tea canisters for its elegance and auspiciousness. This color pairing has historically signified understated luxury and longevity.\u003c\/p\u003e\n\u003cp data-start=\"915\" data-end=\"1045\"\u003e\u003cstrong\u003eAvailable \u003cem\u003eWashi\u003c\/em\u003e Patterns\u003c\/strong\u003e: \u003cem data-start=\"950\" data-end=\"962\"\u003eKikkō-hana (Chrysanthemum\u003c\/em\u003e), \u003cem data-start=\"976\" data-end=\"985\"\u003eAsanoha (\u003cmeta charset=\"utf-8\"\u003eHemp Leaf)\u003c\/em\u003e, \u003cem data-start=\"988\" data-end=\"999\"\u003eKikkō-mon\u003c\/em\u003e (Tortoiseshell), and \u003cem data-start=\"1021\" data-end=\"1031\"\u003eKirikane\u003c\/em\u003e (\"Cut Gold\").\u003c\/p\u003e\n\u003cp data-start=\"507\" data-end=\"999\"\u003e\u003cstrong data-start=\"507\" data-end=\"520\"\u003eThe Brand\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"507\" data-end=\"999\"\u003eFounded in 1910, Kotodo (江東堂) has been producing handmade tea canisters for over a century. Compared to machine-made versions, their \u003cem data-start=\"656\" data-end=\"663\"\u003ewashi\u003c\/em\u003e wrapping is completely seamless—no ridges, no interruptions where the lid meets the body—resulting in an exceptionally clean silhouette. Each lid is designed to rotate counter-clockwise until it clicks, ensuring the pattern aligns flawlessly, a small but satisfying ritual that embodies the Japanese pursuit of harmony and precision.\u003c\/p\u003e\n\u003cp data-start=\"1006\" data-end=\"1449\"\u003e\u003cstrong data-start=\"1006\" data-end=\"1023\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1006\" data-end=\"1449\"\u003eTea canisters, or \u003cem data-start=\"1044\" data-end=\"1054\"\u003echazutsu\u003c\/em\u003e, have long been a part of Japan’s tea culture, prized not only for their utility but for their ability to elevate everyday life. Historically, \u003cem data-start=\"1198\" data-end=\"1208\"\u003echazutsu\u003c\/em\u003e were handcrafted by metalworkers and paper artisans, combining airtight construction with decorative beauty. The use of \u003cem data-start=\"1329\" data-end=\"1336\"\u003ewashi\u003c\/em\u003e—a paper made from mulberry fibers—adds a tactile warmth and subtle variation that only grows richer with time.\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1849\"\u003e\u003cstrong data-start=\"1456\" data-end=\"1471\"\u003eThe Culture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1849\"\u003eIn Japan, the preservation of tea is both a practical concern and a cultural expression of respect: for nature, for the material, and for the act of drinking tea itself. The Kotodo canister reflects this philosophy, suggesting even the smallest gesture can embody elegance and care. To open one is to participate in a century-old dialogue between hand, material, and ritual.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Default Title","offer_id":47680475070715,"sku":null,"price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/Asanoha-Kotodo-Tin.jpg?v=1762460907"},{"product_id":"kotodo-washi-wrapped-tea-tin-kikko-mon","title":"Kotodo Washi-Wrapped Tea Tin (Kikkō-mon)","description":"\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eAVAILABLE FOR PRE-ORDER (NOTE: THESE ARE SAMPLES.)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"648\" data-start=\"303\"\u003e\u003cstrong\u003eThe Item\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"648\" data-start=\"303\"\u003eHandcrafted from aluminum tinplate and wrapped in Japanese \u003cem data-end=\"384\" data-start=\"377\"\u003ewashi\u003c\/em\u003e paper, each Kotodo canister is an object of both beauty and precision. Its airtight, double-lid design preserves the freshness and aroma of tea, while the seamless wrapping and perfectly aligned patterns reveal the quiet perfectionism of Japanese craftsmanship.\u003c\/p\u003e\n\u003cp data-end=\"913\" data-start=\"650\"\u003eWe’ve selected four of our favorite patterns in the traditional gold-on-black palette—long favored in \u003cem data-end=\"759\" data-start=\"752\"\u003ewashi\u003c\/em\u003e-wrapped objects like tea canisters for its elegance and auspiciousness. This color pairing has historically signified understated luxury and longevity.\u003c\/p\u003e\n\u003cp data-end=\"1045\" data-start=\"915\"\u003e\u003cstrong\u003eAvailable \u003cem\u003eWashi\u003c\/em\u003e Patterns\u003c\/strong\u003e: \u003cem data-end=\"962\" data-start=\"950\"\u003eKikkō-hana (Chrysanthemum\u003c\/em\u003e), \u003cem data-end=\"985\" data-start=\"976\"\u003eAsanoha (\u003cmeta charset=\"utf-8\"\u003eHemp Leaf)\u003c\/em\u003e, \u003cem data-end=\"999\" data-start=\"988\"\u003eKikkō-mon\u003c\/em\u003e (Tortoiseshell), and \u003cem data-end=\"1031\" data-start=\"1021\"\u003eKirikane\u003c\/em\u003e (\"Cut Gold\").\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"507\"\u003e\u003cstrong data-end=\"520\" data-start=\"507\"\u003eThe Brand\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"507\"\u003eFounded in 1910, Kotodo (江東堂) has been producing handmade tea canisters for over a century. Compared to machine-made versions, their \u003cem data-end=\"663\" data-start=\"656\"\u003ewashi\u003c\/em\u003e wrapping is completely seamless—no ridges, no interruptions where the lid meets the body—resulting in an exceptionally clean silhouette. Each lid is designed to rotate counter-clockwise until it clicks, ensuring the pattern aligns flawlessly, a small but satisfying ritual that embodies the Japanese pursuit of harmony and precision.\u003c\/p\u003e\n\u003cp data-end=\"1449\" data-start=\"1006\"\u003e\u003cstrong data-end=\"1023\" data-start=\"1006\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1449\" data-start=\"1006\"\u003eTea canisters, or \u003cem data-end=\"1054\" data-start=\"1044\"\u003echazutsu\u003c\/em\u003e, have long been a part of Japan’s tea culture, prized not only for their utility but for their ability to elevate everyday life. Historically, \u003cem data-end=\"1208\" data-start=\"1198\"\u003echazutsu\u003c\/em\u003e were handcrafted by metalworkers and paper artisans, combining airtight construction with decorative beauty. The use of \u003cem data-end=\"1336\" data-start=\"1329\"\u003ewashi\u003c\/em\u003e—a paper made from mulberry fibers—adds a tactile warmth and subtle variation that only grows richer with time.\u003c\/p\u003e\n\u003cp data-end=\"1849\" data-start=\"1456\"\u003e\u003cstrong data-end=\"1471\" data-start=\"1456\"\u003eThe Culture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1849\" data-start=\"1456\"\u003eIn Japan, the preservation of tea is both a practical concern and a cultural expression of respect: for nature, for the material, and for the act of drinking tea itself. The Kotodo canister reflects this philosophy, suggesting even the smallest gesture can embody elegance and care. To open one is to participate in a century-old dialogue between hand, material, and ritual.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Default Title","offer_id":47680479166715,"sku":null,"price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/Kikko-Mon-Kotodo-Tin.jpg?v=1762461052"},{"product_id":"tanegashima-knife","title":"Tanegashima Knife","description":"\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eAVAILABLE FOR PRE-ORDER\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eThe Item\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"787\" data-start=\"317\"\u003eForged on the remote island of Tanegashima, these knives carry the blunt honesty of tools made for work rather than worship. Each blade displays its history openly: carbon steel that patinas; a spine that remembers fire; and a handle that will darken from the oils of the hand that wield it.\u003c\/p\u003e\n\u003cp data-end=\"787\" data-start=\"317\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThis is a knife built with the expectation that the owner will participate in its becoming—sharpening, oiling, and carrying them is part of the object’s life, not an afterthought.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1044\" data-start=\"789\"\u003eThe pair you see here—one medium gyuto-like profile (Chef's Knife), one compact all-purpose petty—are from a small family forge where production remains slow, imperfect, and deeply human.\u003c\/p\u003e\n\u003ch3 data-start=\"984\" data-end=\"1002\"\u003e\u003cstrong data-start=\"988\" data-end=\"1002\"\u003eThe Artist\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1003\" data-end=\"1647\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe kanji on each handle reads 「浪打 種子島」(Namiuchi Tanegashima)—literally \u003cem data-end=\"1176\" data-start=\"1147\"\u003e“Wave-forged, Tanegashima.” \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt has one of the longest histories of steelmaking and bladecraft of any region in Japan. With the social upheavals at the end of the Edo era, the island's revered swordmakers and ancient smithies evolved into a single guild of bladesmiths producing knives, scissors and shears, making it one of the most productive centers of Meiji-era Japan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1003\" data-end=\"1647\"\u003eThis refers not to a single named smith but to a lineage of island blacksmiths working in the Namiuchi tradition: small coastal workshops where iron is heated, beaten, and quenched by hand, often just steps from the shoreline.\u003c\/p\u003e\n\u003cp data-start=\"1003\" data-end=\"1647\"\u003eBecause these knives aren’t made by a branded atelier but by working craftsmen, signatures vary, and no two blades are identical. In a way, the artistan is the island itself—with blades forged by human hands in conjunction with the island: its humidity, its salt air, its rust, its stubbornness.\u003c\/p\u003e\n\u003ch3 data-start=\"1654\" data-end=\"1675\"\u003e\u003cstrong data-start=\"1658\" data-end=\"1675\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2029\" data-start=\"1657\"\u003eTanegashima holds a quiet, strange position in Japanese history. \u003cmeta charset=\"utf-8\"\u003eBladesmiths have been active in this region dating back to the 12th century, making it the oldest and most-revered metallurgy center in Japan. It is was through Tanegashima that first Portuguese matchlock guns arrived in 1543, along with other foreign goods: tobacco, bread, and pivot scissors. \u003c\/p\u003e\n\u003cp data-end=\"2029\" data-start=\"1657\"\u003eThat legacy survives not in museums but in workshops like these: with humble smithies, like \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMaster Knifemaker Tabata-San,\u003c\/span\u003e producing practical tools for fishermen, farmers, hunters, and cooks.\u003c\/p\u003e\n\u003cp data-end=\"2356\" data-start=\"2031\"\u003eThe knives follow the \u003cem\u003ekurouchi\u003c\/em\u003e tradition—a blacksmith’s finish left intentionally raw to protect the blade and to honor the material’s origin. In Japan, this relationship between tool and owner is not a burden; it is the point.\u003c\/p\u003e\n\u003ch3 data-start=\"2310\" data-end=\"2329\"\u003e\u003cstrong data-start=\"2314\" data-end=\"2329\"\u003eThe Culture\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2755\" data-start=\"2384\"\u003eOwning a Tanegashima knife means accepting change as part of the object’s character. The island’s climate—rainy, maritime, mineral-heavy—invites patina and oxidation, and the blade responds accordingly.\u003c\/p\u003e\n\u003cp data-end=\"2755\" data-start=\"2384\"\u003eEach use leaves a mark. Each meal alters its surface.\u003c\/p\u003e\n\u003cp data-end=\"2755\" data-start=\"2384\"\u003eIn Japanese craft culture, this slow transformation is \u003cem data-end=\"2701\" data-start=\"2696\"\u003enot\u003c\/em\u003e seen as degradation; it is \u003cem\u003eseikatsu no ato\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003e(\u003cmeta charset=\"utf-8\"\u003e生活の跡 —) “the traces of living.” These knives don't just invite, but require participation: you need to wipe them dry, to oil the steel, to sharpen the blade, to acknowledge that use is a form of collaboration. That said, they make the most wonderful tools for home and professional chefs, alike.\u003c\/p\u003e\n\u003cp data-end=\"2755\" data-start=\"2384\"\u003eTanegashima knives echo the deeper rhythm of Japanese folk craft (Mingei): simple tools made with sincerity, meant to live alongside you, changing as you change.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Chef's Knife","offer_id":47727596503291,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true},{"title":"Petty Knife","offer_id":47727596536059,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/Knives_b91a9d06-aa48-4ae4-a77e-5a0c6c567080.jpg?v=1764102971"},{"product_id":"sori-yanagi-stainless-steel-bowls-colanders","title":"Sori Yanagi Stainless Steel Bowls \u0026 Colanders","description":"\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eAVAILABLE FOR PRE-ORDER\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 data-start=\"278\" data-end=\"294\"\u003e\u003cstrong data-start=\"282\" data-end=\"294\"\u003eThe Item\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"335\" data-end=\"654\"\u003eThis set of stainless-steel bowls by Sori Yanagi—industrial objects engineered to disappear into daily life. No embellishment, no flourish: just perfect proportions, a delicately rolled rim, and a weight that feels inevitable in the hand. They nest with a soft metallic hush, like the sound of a well-kept kitchen closing up shop. Each bowl's integrated colander makes straining rice, or rinsing vegetables, a dream.\u003c\/p\u003e\n\u003cp data-start=\"656\" data-end=\"923\"\u003eDesigned in 1960 and still produced in Niigata, they stand at the intersection of tool and sculpture: the kind of object that becomes more honest with use, picking up tiny marks, dulling slightly over time, holding \u003cem\u003eseikatsu no ato \u003c\/em\u003e(\u003cmeta charset=\"utf-8\"\u003e生活の跡):\u003cstrong\u003e \u003c\/strong\u003etraces of life.\u003c\/p\u003e\n\u003ch3 data-start=\"984\" data-end=\"1002\"\u003e\u003cstrong data-start=\"988\" data-end=\"1002\"\u003eThe Artist\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"950\" data-end=\"1115\"\u003eOne of Japan’s great postwar designers, Sori Yanagi was one of the few designers able to bridge the world of Mingei philosophy with industrial manufacture.\u003c\/p\u003e\n\u003cp data-start=\"1117\" data-end=\"1424\"\u003eAs a student of the great French designer Charlotte Perriand and the son of the Mingei Movement’s founder (Yanagi Sōetsu), Yanagi believe that good design is not invented but discovered. The form factor of his bowls, kettles, and utensils are not arbitrarily “styled,\" the way we often encounter branded. The final form was suggested to him, derived from continuous conversations with the hands, before being refined through repetition, and tested relentlessly in the kitchen. Yanagi called this process, “designing with the hands rather than the brain.”\u003cbr data-start=\"1505\" data-end=\"1508\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"1117\" data-end=\"1424\"\u003eThese bowls are exactly that: thinking made tactile.\u003c\/p\u003e\n\u003ch3 data-start=\"1654\" data-end=\"1675\"\u003e\u003cstrong data-start=\"1658\" data-end=\"1675\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1588\" data-end=\"1857\"\u003eJapanese stainless-steel craft emerged in the mid-20th century, when postwar industries began adapting techniques from naval engineering and medical equipment.\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eNiigata, where these are made, became a center for metalworking, renowned for their precise forming, cold-rolling, and deep-drawing.\u003c\/p\u003e\n\u003cp data-start=\"1859\" data-end=\"2113\"\u003eYanagi leveraged this manufacturing culture to achieve what traditional craft alone could not: a bowl perfectly smooth, perfectly balanced, perfectly durable, but rooted in the same ethos as hand-thrown pottery: objects meant to live, age, and serve.\u003c\/p\u003e\n\u003cp data-start=\"2115\" data-end=\"2255\"\u003eThese bowls embody the Mingei belief that beauty resides in the everyday:\u003cbr data-start=\"2188\" data-end=\"2191\"\u003ethe rice you rinse, the vegetables you wash, the batter you mix.\u003c\/p\u003e\n\u003ch3 data-start=\"2310\" data-end=\"2329\"\u003e\u003cstrong data-start=\"2314\" data-end=\"2329\"\u003eThe Culture\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2281\" data-end=\"2417\"\u003eIn Japanese kitchens, a bowl is not a passive container, but an extension of the cook:\u003cbr data-start=\"2368\" data-end=\"2371\"\u003ea thing held, tapped, rinsed, warmed, and carried.\u003c\/p\u003e\n\u003cp data-start=\"2419\" data-end=\"2613\"\u003eYanagi’s bowls appear in homes, \u003cem\u003eryokan\u003c\/em\u003e, tiny ramen shops, pastry labs, and school cafeterias. Their presence signals a vernacular, quotidian aesthetic, at once modest yet purposeful, unassuming but cared for.\u003c\/p\u003e\n\u003cp data-start=\"2615\" data-end=\"2832\"\u003eThe culture around these bowls is not luxury, but attention\u003cstrong data-start=\"2666\" data-end=\"2680\"\u003e. \u003c\/strong\u003eAn awareness that good tools are companions in daily life, and that the traces left on steel over years of cooking are not flaws but a quiet history.\u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Full Set","offer_id":47727818998011,"sku":null,"price":125.0,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":47727663317243,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":47727663350011,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true},{"title":"Small","offer_id":47727819030779,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/SoriYanagi.jpg?v=1764103418"},{"product_id":"iga-clay-donabe","title":"Iga Clay Donabe","description":"\u003ch3 data-end=\"294\" data-start=\"278\"\u003e\u003cstrong data-end=\"294\" data-start=\"282\"\u003eThe Item\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"295\" data-end=\"616\"\u003eA traditional \u003cstrong data-start=\"309\" data-end=\"319\"\u003edonabe \u003c\/strong\u003eis a thick-walled Japanese clay pot made for simmering, steaming, and slow, attentive cooking. You can think of it as an analogue forerunner to the crockpot.\u003c\/p\u003e\n\u003cp data-start=\"295\" data-end=\"616\"\u003eThis one is formed from\u003cstrong\u003e Iga clay\u003c\/strong\u003e, fired until the surface vitrifies into a glossy, iron-rich brown that carries the soft irregularities of hand work: tiny pinholes, speckling, a slightly uneven rim.\u003c\/p\u003e\n\u003cp data-start=\"618\" data-end=\"897\"\u003eThe pot heats slowly and holds warmth long after the flame is gone. It rewards patience.\u003cbr data-start=\"708\" data-end=\"711\"\u003eOver time, the interior develops \u003cstrong data-start=\"744\" data-end=\"759\"\u003ekamado-haze\u003c\/strong\u003e, a subtle patina from rice starch, broth, and steam—a record of meals prepared, a literal \u003cstrong data-start=\"850\" data-end=\"876\"\u003e生活の跡 \/ seikatsu no ato\u003c\/strong\u003e, the traces of life.\u003c\/p\u003e\n\u003cp data-start=\"899\" data-end=\"975\"\u003eNOTE: Not suitable for electric or induction cooktops. Iwatami portable gas burner sold separately for homes without a gasline.\u003c\/p\u003e\n\u003ch3 data-end=\"1002\" data-start=\"984\"\u003e\u003cstrong data-end=\"1002\" data-start=\"988\"\u003eThe Artistans\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"999\" data-end=\"1325\"\u003eMost Iga \u003cem\u003edonabe\u003c\/em\u003e are produced in small kilns around Marubashira, a pottery village active since the late 7th century.\u003c\/p\u003e\n\u003cp data-start=\"999\" data-end=\"1325\"\u003eThe clay here is prehistoric—once the floor of Lake Biwa—and still holds microscopic silica and organic matter. When fired, those inclusions burn away, leaving tiny pores that allow the pot to breathe.\u003c\/p\u003e\n\u003cp data-start=\"1327\" data-end=\"1509\"\u003eMany kilns maintain family lineages that stretch back centuries. Even when the maker isn’t individually named, the knowledge is collectively safeguarded across a continuity of hands, processes, and shared memory.\u003c\/p\u003e\n\u003ch3 data-end=\"2329\" data-start=\"2310\"\u003e\u003cstrong data-end=\"2329\" data-start=\"2314\"\u003eThe Tradition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1537\" data-end=\"1817\"\u003eDonabe culture has roots in the \u003cstrong data-start=\"1569\" data-end=\"1589\"\u003eMuromachi period\u003c\/strong\u003e, when communal meals were cooked in a single vessel placed at the center of the household. The idea has endured:\u003cbr data-start=\"1704\" data-end=\"1707\"\u003ea donabe is not just a pot—it’s a piece of architecture for the table. Heat radiates outward. People gather.\u003c\/p\u003e\n\u003cp data-start=\"1819\" data-end=\"2078\"\u003eIga ware is known as one of the “Three Great Kilns” of Japan, prized for its durability and its ability to withstand direct flame. The dense, oxygen-starved firing creates a body strong enough for stovetop use, yet porous enough to develop flavor over time.\u003c\/p\u003e\n\u003cp data-start=\"2080\" data-end=\"2178\"\u003eThis is cookware designed to improve with wear—one of the purest expressions of \u003cstrong data-start=\"2160\" data-end=\"2170\"\u003eMingei\u003c\/strong\u003e values.\u003c\/p\u003e\n\u003ch3 data-end=\"1675\" data-start=\"1654\"\u003e\u003cstrong data-end=\"1675\" data-start=\"1658\"\u003eThe Culture\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2448\" data-start=\"2204\"\u003eIn Japanese homes, the donabe appears during the colder months as a centerpiece for \u003cstrong data-end=\"2296\" data-start=\"2288\"\u003enabe\u003c\/strong\u003e, \u003cstrong data-end=\"2310\" data-start=\"2298\"\u003eyosenabe\u003c\/strong\u003e, \u003cstrong data-end=\"2327\" data-start=\"2312\"\u003eshabu-shabu\u003c\/strong\u003e, and slow-cooked rice. It signals something emotional: a shift toward warmth, gathering, seasonality, and taking time.\u003c\/p\u003e\n\u003cp data-end=\"2612\" data-start=\"2450\"\u003eIga donabe embody a very Japanese form of luxury— not perfection, but presence. Not smoothness, but texture. Not novelty, but longevity.\u003c\/p\u003e\n\u003cp data-end=\"2725\" data-start=\"2614\"\u003eA pot that cracks slightly along the bottom from heat expansion?\u003c\/p\u003e\n\u003cp data-end=\"2725\" data-start=\"2614\"\u003eThat’s normal. It means the clay is alive.\u003c\/p\u003e\n\u003cp data-end=\"2876\" data-start=\"2727\"\u003eThis piece is the kind of object that becomes part of a household vocabulary—used weekly, aging honestly, carrying forward the imprint of every meal.\u003c\/p\u003e\n\u003cp data-start=\"2080\" data-end=\"2178\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"1327\" data-end=\"1509\"\u003e \u003c\/p\u003e","brand":"Another Country","offers":[{"title":"Default Title","offer_id":47727832465659,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/files\/IgaClayDonabe_502da6aa-d965-40e1-a88e-3de5fade13e6.jpg?v=1766170138"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/2064\/1275\/collections\/Knives_b91a9d06-aa48-4ae4-a77e-5a0c6c567080.jpg?v=1766177568","url":"https:\/\/inanothercountry.co\/collections\/home-goods.oembed","provider":"Another Country","version":"1.0","type":"link"}